dc.contributor.authorSánchez-Verdejo Pérez, Francisco Javier
dc.date.accessioned2022-02-01T08:30:58Z
dc.date.available2022-02-01T08:30:58Z
dc.date.issued2021
dc.identifier.issn0718-3259
dc.identifier.urihttp://hdl.handle.net/20.500.12226/1104
dc.description.abstractFrom its beginning, Gothic literature was closely connected to architecture much earlier than to literature itself. In fact, space is one of the most outstanding elements –and even characters– of any Gothic production, as it is intended to show throughout these pages. The idiosyncrasy of Gothic is merged not only with the literary tradition and with the cultural background, but it also carries within an undeniable layer of transgression. The presence of space in Gothic productions conforms, thus, an almost character, needing to be analyzed and studied as such. Cellars, castles, basements, caves… all of them refer to a common symbolism: places originally intended for care and protection can become deadly prisons.es
dc.language.isoenes
dc.titleIt [the castle] is old, and has many memories. Transgression and Cultural, Literary Idiosyncrasy of Space in Gothic Traditiones
dc.title.alternativeIt [the castle] is old, and has many memories. Transgression and cultural, literary idiosyncrasy of space in gothic traditiones
dc.typearticlees
dc.description.course2020-21es
dc.issue.number13es
dc.journal.titleRevista Théloses
dc.page.initial67es
dc.page.final89es
dc.publisher.departmentDepartamento de Idiomases
dc.publisher.facultyFacultad de Ciencias de la Salud y de la Educaciónes
dc.rights.accessRightsopenAccesses
dc.subject.keywordGothices
dc.subject.keywordSpacees
dc.subject.keywordArchitecturees
dc.subject.keywordTransgressiones
dc.volume.number1es


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