dc.contributor.authorSánchez-Verdejo Pérez, Francisco Javier
dc.date.accessioned2025-09-22T07:13:44Z
dc.date.available2025-09-22T07:13:44Z
dc.date.issued2025-09
dc.identifier.issn2444-9431
dc.identifier.urihttp://hdl.handle.net/20.500.12226/2979
dc.description.abstractDistortions, hallucinations and affectation of reality are one of the most powerful weapons an author can use. As we shall see, the effects multiply when that writer is Edgar Allan Poe. On the other hand, or in addition, there is hardly something that can delight more than reading Poe. Our common thread is the use (or the absence) of details and sound imagery (repetitions, silences...) Besides, we must bear in mind the effects of sound on his productions as integrated in the horror genre and how experiencing them or ignoring this effect alters singularly the impact on the readers. In fact, Poe, as well as being an exceptional conductor in terms of suspense, is a master of sound effects.es
dc.language.isoenes
dc.titleDistortions, Hallucinations and Affectation of Reality: An Approach to Poe’s Techniques as a Creator of an Oppressive Atmospherees
dc.typearticlees
dc.description.course2024-25es
dc.identifier.doi10.18239/mard.v0i11.2457
dc.issue.number11es
dc.journal.titleMULTIárea. Revista de didácticaes
dc.page.initial68es
dc.page.final92es
dc.publisher.departmentDepartamento de Idiomases
dc.publisher.facultyFacultad de Ciencias de la Educaciónes
dc.rights.accessRightsopenAccesses
dc.subject.keywordHallucinationses
dc.subject.keywordEdgar Allan Poees
dc.subject.keywordOppressive Atmospherees


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