Distances of pleasant Perspective. Luca Giordano’s pictorial eulogies for Charles II

dc.contributor.author	Fuentes Lázaro, Sara
dc.date.accessioned	2020-10-05T15:22:57Z
dc.date.available	2020-10-05T15:22:57Z
dc.date.issued	2020
dc.identifier.issn	978-3-7774-3638-8
dc.identifier.uri	http://hdl.handle.net/20.500.12226/397
dc.description.abstract	The following text focuses on analysing painter Luca Giordano’s (1632–1705) contribution to inspireCharles II’s monarchy (1660–1700) through several major works that reinforced the new perspective of the realm and the king’s, in El Escorial, the Buen Retiro Palace and the San Antonio de los Alemanes church. By analysing Giordano’s role, it aims to demonstrate how the painter completed the transcendental task of updating the dynasty’s visual discourse during his Spanish decade (1692–1702) transforming the numerous palatial and religious locations in which court ceremonies were held with his fluid compositions.	es
dc.language.iso	en	es
dc.publisher	Hirmer Verlag. Munich	es
dc.title	Distances of pleasant Perspective. Luca Giordano’s pictorial eulogies for Charles II	es
dc.type	bookPart	es
dc.description.course	2019-20	es
dc.page.initial	101	es
dc.page.final	117	es
dc.publisher.department	Departamento de Historia y Humanidades	es
dc.publisher.faculty	Facultad de Ciencias Sociales y Humanidades	es
dc.rights.accessRights	openAccess	es
dc.subject.keyword	Andrea Pozzo	es
dc.subject.keyword	Monarquía	es
dc.subject.keyword	El Escorial	es
dc.subject.keyword	Palacio del buen retiro	es